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This thesis is a study on the works of Akiyama Yo, a contemporary ceramic artist of large-scale installation works and a member of Sodeisha. Sodeisha is one of the most influential avant-garde pottery...
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This thesis is a study on the works of Akiyama Yo, a contemporary ceramic artist of large-scale installation works and a member of Sodeisha. Sodeisha is one of the most influential avant-garde pottery group in the trend of modern craft and contemporary art in Japan which started in Kyoto. It was the foundation of modern ceramics in Japan which caused to tear down the wall of traditional crafts and art during the periods between 1948 to 1998. Among the experimental methods introduced by Sodeisha, the model-oriented works of Yagi Kazuo, the leader of Sodeisha, have extended the trend of Japanese ceramic art from a traditional vessel to a new expression of kiln-fired objects by using a variety of formative languages. The black firing technique used in producing Yagi¡¯s works is deepened in the installation ceramic works produced by the black pottery of Akiyama. Based on the radical ceramics of Yagi¡¯s and the ideas of other fine artists, Akiyama presents black ceramics which is incorporate reminiscing elements of postmodernism: concept, size and form of the work. The factors that will be looked up in the analysis of the artist¡¯s works are the clay and technique of creating black ceramics, which enabled artist¡¯s creative expression. Akiyama shows works of black ceramics, developed from wheel technique, by placing it in the exhibition space. Such a case of work is a ways of expressing three dimensional molding which inspires the possibilities of claywork. His series of works are divided into , , , , , , , , and by their themes, methods, and periods. Presenting large installations in major public and private collections around the world, he reinterpreted arts and crafts, tradition and modernity, and sculpture and ceramics. The artist has blurred the boundaries of these classified concepts that coexist in contemporary art by expressing unique artistic intentions. It is estimated that his non-functional and experimental ceramic objects reflect traditional ceramics and enhance the status of modern crafts. In conclusion, studies on the ceramic sculpture of Akiyama can be considered an opportunity to look at the flow and context of the Japanese formative artist, as well as the original works.
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