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  I have made this dissertation to the effect that the physical creation of dancing should by regarded not as a unconscious or instictive product but as a conscious and purposeful behaviour. In the process of studying the physical creation of dancing. I have done my utmost to form the logical background that dancing shall be constured as the creative fruit of the man, the lord of all creation.
  In executing this study. I studied the backgrounds for creation of primitive religions and various sanctity ideas originated from the backgrounds. Furthermore, I have made a bold attempt to elicit the evolutionary momentum of dncing stemmed from the religeous backgrounds. The reason for this is people in general have shared the view that the primordial creation of dancing was conceived from the system of faith without distinction of the Oriental and Western history.
  I have presented in this treatise the logical base on which we can distingusish the purposeful behaviours of the dancing created by ancient enchanters in the process of execution of religious rituals from the behaviours transformed in the course of the religious rituals.

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