* 현재 컨텐츠 정보를 준비 중에 있습니다.

[닫기]

Based on the side-dot theory ‘a tonemic theory’ established by Chagyun Gim(1998, 1999, 2003, etc.) and improved by Sejin Gim(2004), firstly, I have contrastively analysed and described the complicated tonemic alternations of inflectional forms of the verb /ga-da/ in Sacheon dialect and Namhae dialect, which belong to south-west Geongnam dialect. Secondly, I have analysed systematic tonemic symmetries between inflextional forms of the simple verb /ga-da/ and those of the compound verb /naga-da/ in Sacheon dialect. In Namhae dialect, the stem of the verb /naga-da/ appears always departing tone pattern. Therefore we need not compare inflextional forms of the verb /ga-da/ and the verb /naga-da/ in Sacheon dialect. According to the side-dot theory, Sacheon dialect has three basic tonemic patterns and one deriving tonemic pattern. Three basic tonemic patterns are the pyeongcheuk pattern ‘complex tone pattern’(□₁·□ⁿ, H₁Mⁿ), the geoseong pattern ‘departing tone pattern’(·□₁, M₁) and the sangseong pattern ‘rising tonemic pattern’(:□₁, L₁), and deriving tonemic pattern is called yin-sangseong(:▣₁, ??₁). Since each tonemic form of the verb /ga-da/ show alternations in □₁ ·□n(H₁Mⁿ), ·□₁(M₁) and :□₁(L₁) in the two dialects, and we cannot predict it by the structure of inflectional endings on its own, but the correspondences between forms of the verb /ga-da/ are is in perfect order in the two dialects. In Sacheon dialect, when a form of the verb /ga-da/ appears as □₁·□n(H₁Mn), does also the correspondent forms of the verb /naga-da/ as □₁ ·□ⁿ(H₁Mⁿ). But when a form of the former appears as ·□₁(M₁) or :□₁ (L₁), that of the latter does as :▣₁.

[닫기]