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Focusing on conflict structures, this study deals with the aspect of the changes and meaning of Pansori-changbon Chunhyang-ga in the following generations in comparison with Shinjaehyo-bonnn, Kimyeonsu-changbon, and Ojeongsuk-changbon. The results are as follows.
First, Pansori-changbon has the conflict structure in which the tension is deepened and settled, and psychological changes of the characters in each scene in chapters are noticed.
Second, regarding the internal aspects, Kimyeonsu-changoon omitted more words of Byeon-satto than those of Chunhyang relatively, which is the difference from Shjnjaehyo-Bonnn. In the scene in which Leedoryeong, a Royal Emissary, meets Chunhyang again, the narrator of Chunhyang-ga boasts about Wolmae, Chunhyang's mother, and Wolmae doesn't defend Byeon-satto in Shjnjaehyo-bonnn. But in Kimyeonsu-changbon, she brags about herself and argues for Byeon-satto.
Externally, Kimyeonsu-changbon is similar to Ojeongsuk-changbon because not Wolmae's but the Royal Emissary's attitude toward Byeon-satto is represented whereas he fired Byeon -satto because of corruption in Shinjaehyo-bonnn. Wolmae shows comic attitudes toward the Royal Emissary when she says she is delighted to see him. In contrast, Chunhyang says he is cold-hearted after he pretends to be a stranger.
Third, regarding the meaning, "the embodiment of comic spirit through mediation by laughter and confrontation weakening" is manifested in case of internal aspects. On the other hand, "dramatic irony through mediation by arrest and harmony strengthening" is represented in external aspects.

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